NADA Villa Warsaw offers not only fresh perspectives on collecting but also a deeply immersive encounter with a market on the rise.
There’s something enchanting about stepping off a bustling Warsaw street and into the secluded Villa Gawrońskich — a place seemingly preserved by time for one purpose: to bring art to life in ways that traditional white-cube galleries simply cannot. Visitors who may not feel at ease in conventional art spaces often find a sense of belonging here. They come not just for the artworks, but for the experience of being part of something vibrant and evolving. This is the essence of NADA Villa Warsaw, a concept fair initiated by the New Art Dealers Alliance, which returns in May 2025.
Unlike conventional art fairs, NADA is set in a historic building rarely open to the public — and this exclusivity has become central to its identity. The venue shapes not only the viewer’s experience but also the artists’ approach. Sculptures spring to life in the villa’s garden, while expansive installations respond to the building’s ornate staircases and architectural nuances, creating a space that feels more like a curated exhibition than a commercial showcase.
Artists to Watch: From Local Resonance to Global Voice
This year’s edition brings together 50 galleries from 15 countries. Yet the spotlight remains firmly rooted in the region — particularly Poland — highlighting bold, urgent, and visually captivating works by a new generation of creators.
Among the standout presentations is a monumental car sculpture by Turner Prize winner Jasleen Kaur, presented inside the Villa as a poetic reflection on consumer culture and collective memory. Ukrainian painter Nikita Kadan contributes emotionally charged works that explore the trauma and resilience born of war. Polish artist Janek Simon, celebrated for his use of algorithms and artificial intelligence, unveils a site-specific digital intervention designed in direct response to the villa’s spatial dynamics.
Exploring the Art Scene
Every EduArt Trip is designed as a multifaceted experience, combining exploration, dialogue, and insight. Participants gain privileged access to the fair and its exhibiting galleries while also enjoying curated visits to Poland’s foremost institutions — including the Museum of Modern Art Warsaw, the Ujazdowski Castle Centre for Contemporary Art, and the National Gallery of Art Zachęta — all guided by leading voices from within the local scene.
The journey continues beyond Warsaw to Kraków, where participants will discover vibrant contemporary spaces such as UFO Art Gallery and Bunkier Sztuki, along with intimate visits to studios of emerging artists. These moments of direct engagement offer rare insight into the creative process and foster meaningful connections between collectors and creators.
Cultural discovery is complemented by culinary pleasure, with curated dining experiences in standout restaurants. These meals not only celebrate Polish flavours but also strengthen cross-border relationships through shared conversation and atmosphere.
Why Poland, Why Now?
The timing of this trip is no coincidence. In recent years, Poland’s cultural landscape has been defined by a compelling blend of institutional ambition and grassroots dynamism. International art fairs are taking note. Collectors are arriving. And artists, empowered by both tradition and technology, are carving out new spaces on the global stage.
Events like NADA Villa Warsaw embody this shift. They bring visibility to artists who might otherwise remain under the radar. They give collectors the opportunity to support emerging talent before it breaks into the mainstream. They turn the act of collecting into something more meaningful — a journey rich with context, conversation, and discovery.